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Ill luck has attended his efforts to-day, or else his thoughts have been wandering in the land where love holds sway, because he is empty-handed. The bonnie brown bird has escaped him, and no gift is near to lay at Mona's shrine.,

"Where are we now?" says Geoffrey, suddenly, stopping and facing "the boy.",

"Is it?"—witheringly. Then, with some impatience, "You will be far happier in an arm-chair: do go into the parlor. There is really no reason why you should remain here.",

He is evidently quite exhausted. His brow is moist, his eyes are sunken, his lips more pallid, more death-like than they were before. In little painful gasps his breath comes fitfully. Then all at once it occurs to Mona that though he is looking at her he does not see her. His mind has wandered far away to those earlier days when England was unknown and when the free life of the colony was all he desired.

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As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"I said so," murmurs Mona, meekly.,

"Ah! indeed! How interesting!" says Lady Lilias, rousing into something that very nearly borders on animation. "I did not think there was in England another room like this.",

"She was never a child: she was born quite grown up. But the ancient Britons had not come into favor at that time: so she was a degree more tolerable. Bless me," says Mr. Darling, with sudden animation, "what horrid times I put in there. The rooms were ghastly enough to freeze the blood in one's veins, and no candles would light 'em. The beds were all four-posters, with heavy curtains round them, so high that one had to get a small ladder to mount into bed. I remember one time—it was during harvest, and the mowers were about—I suggested to Lord Daintree he should get the men in to mow down the beds; but no one took any notice of my proposal, so it fell to the ground. I was frightened to death, and indeed was more in awe of the four-posters than of the old man, who wasn't perhaps half bad."